Film

Work
GREEN LANTERN - LEGEND
yU+co. was invited by Director Martin Campbell and Producer Donald DeLine to ...
GREEN LANTERN - MAIN ON END
For the main-on-end sequence, we go on a 3-dimensional journey through vast ...
YOGI BEAR
yU+co. is no stranger to stereoscopic 3D, having created the 2D and 3D ...
RETURN TO HOUSE ON HAUNTED HILL
In this tightly edited sequence, a disorienting, menacing effect is created with ...
WAITING FOR SUPERMAN
For Davis Guggenheim's powerful documentary on the plight of U.S. public ...
SHREK FOREVER AFTER
This main-on-end title sequence for the fourth and final film in the DreamWorks ...
DOLPHIN TALE
For Dolphin Tale 3D, we created a montage sequence that illustrates the creative ...
BEE MOVIE
In a clever narrative that imagines a day in the life of a bee, this humorous ...
LUST, CAUTION
A feeling of mystery and foreboding permeates this main title sequence as ink ...
NEXT
Establishing the main character’s ability to see into the future, the title ...
FRACTURE
The main title sequence cuts back and forth between scenes of a couple making ...
DEAD SILENCE
Director James Wan wanted the main title sequence to show the construction of the ...
THE NATIVITY STORY
An ambitious visual effects shot was created as an ethereal descent traveling ...
BERNARD & DORIS
Orchids rotate in slow motion and overlap with newspaper headlines about the ...
A Good YearA Good YearA Good Year
A GOOD YEAR
Director Ridley Scott wanted to create a charming and humorous title sequence ...
MY SUPER EX-GIRLFRIEND
In this animated main-on-end title sequence, the playfulness of the movie ...
AN INCONVENIENT TRUTH
The filmmakers wanted to leave a lasting impression on their viewers at the close ...
ASK THE DUST
Set in the 1930's, we enter the world of a struggling novelist, and as the ...